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Part
shrill exploitation and part joyful noise, What
A Wonderful Christmas is a case study in modern
seasonal marketing. On the one hand, it's a various
artist package masquerading as a Louis
Armstrong (read more) album - probably
because the guys in the art department liked the picture. Plus, it doesn't
even contain the song it is named after, "What
A Wonderful World," Satchmo's warm signature tune
that has become a holiday favorite (even though it's
not a Christmas song). On the other hand, the music
in-and-of-itself is incredible - the brightest lights
in jazz celebrating the season - and it compiles all
six sides of the three Christmas singles Armstrong
cut for Decca Records in the mid-50's. Despite the
crass come-on, What
A Wonderful Christmas is as good a compilation
of jazz and pop Christmas music as you're gonna find,
containing a number of rare tracks and several bona
fide classics. And, the cover shot is pretty cute....
Satchmo's Decca sides were waxed long after his salad
days as an jazz innovator, but they remain highly enjoyable
if not strictly accomplished. On his Christmas sides
(as with the rest of his latter-day music), Armstrong
vacillates between between hepcat whimsy ("'Zat
You Santa Claus?"), nostalgic ballads ("Christmas
In New Orleans"), and reasonably serious swing
("Christmas Night In Harlem"). Toss in some
traditional Christmas fodder ("White Christmas"),
and you've got a solid EP.
The other artists included on What
A Wonderful Christmas are exemplary, as well, though
I wonder why Dinah Washington's formal "Silent
Night" was included rather than her playful (and
exceedingly scarce) "Ol' Santa" - it would
have been much more appropriate to the collection.
But, special mention goes to Eartha Kitt's mercenary
"Santa Baby." Essentially a novelty, it triumphs
on pure chutzpah and hubris, and I never tire of hearing
the sultry Kitt purr in Ol' St. Nick's ear, "Hurry
down my chimney tonight!"
Released
by Hip-O (Universal's bald attempt to trump Rhino Records) in 1997, What
A Wonderful Christmas samples almost entirely from Universal's enormous catalog
- mainly from Decca Records, a big player in the fertile 1950's jazz and lounge
scene. Paramount among these plums is Peggy Lee's "It's Christmas Time Again",
the rare b-side to her 1953 Decca single, "Ring Those Christmas Bells. But,
Hip-O also cherry picks gems from labels outside the Universal orbit, including
Columbia (Duke Ellington), United Artists (Lena Horne), and RCA (Eartha Kitt).
Note also that Mel Torme's "The Christmas Song" (which he coauthored)
is a small combo rendition recorded live in 1955 - the earliest of several times
he committed his greatest hit to vinyl.
In the end, What
A Wonderful Christmas is a flawed masterpiece, but a masterpiece nonetheless
- brief, unfocus, but brilliant. Simply, I can't think of a better single-disc
set of Christmas jazz. (Note that in 2003, Universal deleted What
A Wonderful Christmas, replacing it with an all-but-identical disc entitled 20th
Century Masters: The Christmas Collection.)
It's important to note that Louis Armstrong recorded a number of Christmas songs
besides the six Decca sides compiled on What
A Wonderful Christmas - including a couple during his halcyon days as an
up-and-coming coronet whiz. Way back in 1924, he waxed an instrumental called "Santa
Claus Blues" with
the Red Onion Jazz Babies. The next year, the song became a frenzied vocal
showcase for Eva Taylor when Satchmo cut a new version with Clarence
Williams'
Blue Five. Also
in 1925, Armstrong backed blues thrush Bessie Smith on "At
The Christmas Ball" (available
on Santa
Swings). Much later, Satchmo toyed with longtime vocalist Velma Middleton
on a live version of "Baby
It's Cold Outside" (1951). Then, shortly before his death, he committed
to tape perhaps the most charming recitation ever of "'Twas The
Night Before Christmas" (1971).
Unlikely as it seems, notoriously low-rent budget label Laserlight compiled
most of these songs plus "What A Wonderful
World" and
a couple of other Decca tracks - on one CD, Christmas
Through The Years (1996). Why Hip-O didn't bother to license these tracks
for What
A Wonderful Christmas is anybody's guess - it would have turned that solid
EP into one hell of an LP. But, Laserlight's bare-bones Christmas
Through The Years is well worth the five bucks (or less) it'll probably cost
you. [top of page]
Important
Albums
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Essential
Songs
- - Louis Armstrong -
- At The Christmas Ball
(with Bessie Smith, 1925)
-
Baby It's Cold Outside (with Velma Middleton, 1951)
-
Christmas In New Orleans (1955)
-
Christmas Night in Harlem (1955)
-
Cool Yule (1953)
- Santa Claus Blues
- Red Onion Jazz Babies (instrumental, 1924)
- Clarence Williams Blue Five (with Eva Taylor vocal, 1925)
- 'Twas The Night Before Christmas (1971)
- What A Wonderful World (1969)
-
White Christmas (1952)
-
Winter Wonderland (1952)
-
'Zat You Santa Claus? (Louis Armstrong, 1953) Top 100 Song[ -]
Satchmo cut six Christmas sides for Decca Records in the 1950's as his career as a jazz innovator came
to a close and his new status as American icon came into focus. All the Decca sides are enjoyable (and all are included on What
A Wonderful Christmas), but "'Zat You Santa Claus" is the one that best captures Armstrong's
affable but mischievous persona while preserving his musical integrity. Recasting Santa as night prowler,
Satch and his band created the first (only?) Christmas-Halloween hybrid.
-
- other artists on What
A Wonderful Christmas -
-
The Christmas Song (Chestnuts Roasting On An Open Fire) (Mel Torme, 1955)
-
It's Christmas Time Again (Peggy Lee, 1953)
-
Jingle Bells (Duke Ellington, 1962)
-
May Every Day Be Christmas (Louis Jordan, 1951)
-
Merry Christmas Baby (Lionel Hampton, 1950)
-
Santa Baby (Eartha Kitt, 1953)
-
Santa Claus Is Coming To Town (Lena Horne, 1966)
-
Silent Night (Dinah Washington, 1952)
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Further
Listening
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